“Everyone wants to know art. Why not make an effort to understand the song of a bird?…individuals who make an effort to explain pictures are generally barking up the wrong tree.” – Pablo Picasso
What Picasso says about understanding art is extremely highly relevant to how you approach abstract paintings. Many individuals think that abstract paintings will need to have a specific meaning of some kind, which may be clearly understood and articulated if only they knew how. This misconception is not really helped through the endless availability of people prepared to spout nonsense as to what they think the artist was seeking to say. The almost inevitable consequence of this case is the fact people may either feel as if they are being excluded from sharing in certain secret knowledge, or alternatively conclude that Contemporary Abstract Painting is certainly all a sham. Either way, the end result is the fact that many individuals tend not to feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark as far as my own, personal paintings are involved. Basically If I enjoyed a specific message or perhaps a meaning that I really could articulate in words, i would articulate it in words – the painting could have no purpose. The entire reason for creating an abstract painting is it embodies something that only it could, in a way that cannot be put in words. It is really not an essay this is a painting – it encompasses and expresses things in a language that is certainly unique to the medium of paint. That is why we must not attempt to ‘understand’ abstract paintings in the way people sometimes feel they ought to be able to.
The viewer should never choose a clear narrative inside an abstract painting – it is far from likely to tell a tale, or make reference to another ‘subject’ in the same manner that a figurative painting will. But that does not necessarily mean there is not any meaning or no subject, or that abstract paintings cannot contact and move people. When asked about subject matter, the Abstract Expressionist artist Jackson Pollock said, “I am just the topic”. Pollock’s statement is not only true, it really is inevitable.
The experiences, personality, memories and mood from the abstract artist cannot help but be fed to the painting in the event the artist approaches the work within an open and honest way. I do not need an outside subject or idea before I could create Hand Painted Oil Paintings – I simply begin. The truth that I am just me without any-one else is the reason why my work different to anyone else’s, and also the same wzjtrs true of all the artists. The colours I choose, the marks a make, the accidents I select to go out of, or even to obliterate, these are all things that I choose as a result of who I am.
Should you present a number of different artists with the same basic design over a canvas and ask them to pick-up a brush and develop the painting, the variations in whatever they would choose to do will be enormous. I actually have watched other abstract artists at the office on paintings and thought “I would never in a million years have chosen that colour and put it there.” Not because I believe it is wrong or bad, but since they are who they really are and (to quote that other leading artist, Morrisey!) “only I am I”.
Abstract paintings – There are lots of great varieties of painting out there, arising from a rich art history which includes seen movement after movement. The term abstract art is usually used a blanket term to describe non-representational art – that is the lack of recognisable subjects. Abstract art was linked to the rise of modernism over the past century, coming into the mainstream with abstract expressionism in post-war art yet still continuing to influence artists today.
What brought regarding the qualities we see in abstract art? The flattening from the artist’s canvas surface is certainly one major quality, as artists moved away from a convincing illusionism towards broader-minded thinking. Using the invention of photography releasing the artist from painting as a way of recording reality, they began seeing the canvas surface as being an object in their own right, with the canvas as being a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and began to form its very own qualities in accordance with how it was handled. The paint could exhibit ‘personality’, it had their own dimensions and opened up a multitude of different techniques we see in artwork with the last century. One of the main reasons artists began Extra Large Paintings inside an abstract way was the opportunities for greater creativity. It allowed for any greater variety of expression and the growth of ideas that had been not reliant on representing reality any more.