Auras seem to be artifacts of our interactions with all of the rest of creation to manifest whatever we need in our world. Auras are a kind of visual key to understanding the negotiation or mediation processes between our conscious, subconscious and unconscious desires and our collective super-consciousness which is our link with creation whereby all our dreams are made manifest.
Once we pray, meditate or day dream our Aura colors be a little more highly charged and that we may discover our prayers have been answered, our thoughts have turned into reality, or our dreams have come true. We often attribute this sort of experience to coincidence but those among us who are familiar with the belief we create our own reality understand that this is not coincidence; instead, those individuals know that this can be our natural capability to directly manipulate reality, which we are developing on a level of our conscious awareness using our thoughts and feelings to guide ourselves.
There is a real interaction happening between us as well as the world around us over a subtle level that could be perceived by developing the talent to see auras. Everyone has this talent; it is an innate part of who and what we are. However, developing this talent to your degree where we could consciously perceive and study auras usually takes just a little work. By imagining we already have the capacity to do this we could open how you can actually develop this talent into a great tool in our lives. While imagination may be our starting point with this journey, our journey continues past the limits of our imagination and could manifest in a very real talent that assists us to perceive the planet around ourselves more clearly as well as change the world more deliberately.
I find that auras appear as colors that move about and within a subject. With virtually any subject there appear to be many associated colors, usually there are a few particular colors which appear to be dominant. The shades and their forms and motions often change in response to my thoughts or the thoughts of my subject as I am studying them. The interactions of my thoughts with the colors of my subject’s aura assist me to to begin to produce a sense of what is going on within my subject’s life and the things they should learn.
Typically I have preferred to sketch a portrait of my subject on the roughly textured neutral gray paper with colored pastel pencils. Drawing the underlying kind of my subject’s face takes about a few minutes to make a light sketch, meanwhile the act of drawing helps to move me right into a more meditative, receptive frame of mind in which the colors commence to become clearer.
If no dominant colors or patterns are apparent i then consider each one of the colors so as from red to purple/red in a number of repetitious cycles until I sense a harmony to particular colors commence to emerge. (A set of color flash cards or even a color wheel can be a useful tool for this purpose.)
Since the what color is my aura are moving I must observe them for patterns and intensities and after that render a montage of the themes I see so the most striking or important parts are portrayed.
I speak to my subject because i sketch, making suggestions that return responses in my subject’s aura that helps me to unravel the meanings in the colors and what is probably transpiring inside my subject’s life that is certainly being displayed in the aura.
Dark or clouded elements of an aura typically represent secrets or information my subject is repressing. Often they are things my subject is painfully conscious of or possibly is seeking to deny.
Light, bright or shining parts of an aura indicate well-being and balance. Sparkling parts represent an anticipation of imminent events.
It is easy to view the influences of another person upon my subject as my subject targets that individual; it might then be apparent what role that body else plays and if they can help or hinder my subject particularly ways.
Like any psychic practice, the reader must always take into consideration their very own state of being and should be careful not to project details of their own life in to the reading given to an issue.
My paper tablet gets to be a special window to me. On a single side I contain myself so as to not contaminate the things i see through my window. The life span of my subject appears to me through my paper tablet. Your window of my paper tablet assists me in maintaining the main focus of my reading upon my subject while inhibiting me from interjecting a reading personally into the process.
If you are not artistically adept you might still utilize the paper tablet and colored pencils, as opposed to striving to produce a likeness of your subject’s physical features dispense with the portrait preamble and instead doodle while you study your subject up until the inspiration involves begin reading their aura.
My favorite blend of colors is Green and Purple. Those two colors in combination represent Art inside the Magick sense and artistic activities such as writing or painting in the more mundane aspect. Typically this color combination is accented with Gold or Yellow. Here is the property by which the Art or art speaks to us, transforming us.
The potential for Art (Magick) within the action of drawing a portrait is extremely strong. Your reader may act as a healer and might make an effort to downplay a style that may be related to pain or suffering while playing up themes of happiness and spiritual advancement. However it is essential to guide the subject when applying any Art, for your lesson from a pending hardship may be needed through the subject and the lesson must still manifest inside their life in certain form. Typically this sort of lesson is replayed again and again in a subjects life; so instruction may be drawn off their past, in a way that they may finally ‘get it’ and dispense with the need for many further repetitions of any lesson which can become potentially harmful or unpleasant in general.
The application of Art rarely prevents another cycle of the repetitious lesson from playing out, but it may ameliorate the next cycle to some great or small degree and also the subject might be better in a position to gain knowledge from the next repetition with their lesson in the event the reader has properly prepared those to perceive and understand their lesson.
To begin your own exploration of auras find some good crayons and some rough neutral paper. The backs of brown paper bags are very great for this. You may use photographs, objects around your home, pets, plants or nljsii as the subject. Monochrome photographs are particularly great for this type of exercise. Place your subject against a neutral background like an empty white wall. Study your subject across the edges, when it is an individual, pay particular awareness of the crown chakra where energy channel is frequently strongest. (You might also try directly observing a subject’s chakras.)
Personally, I get the edges of the subject’s profile are the most useful places to begin seeing the interplay of colored light that emanates from within them. If you think you see nothing, then imagine your opinion you might see if you might see auras. Take notes with all the colored pencils and attempt to associate your ideas with the Chakra colors when you take notes. This can be achieved by simply using the color crayon that seems best suited to you to publish your ideas with. You might be not essential to set up your perceptions in the form of a photo. Sometimes a thought might have one strong color and lots of associated colors. You are able to loosely overwrite anything you have written with similar words in a different color if this seems appropriate, or you will probably find new words emerge while you select a new color in connection to something you have already written or drawn.
Just allow this to occur; don’t get too associated with how you will accomplish this or what you might want to learn about a topic. Instead, open your heart and mind to every tiniest thought and feeling and follow these wherever they may lead you.